Bullet For My Valentine – Tickets – Iron City – Shows – Birmingham, AL – May 2nd, 2018

 
 
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Bullet For My Valentine

Bullet For My Valentine

Trivium, TOOTHGRINDER

Wednesday, May 2nd 2018

Doors: 6:30 pm / Show: 7:30 pm

Iron City - Shows

Birmingham, AL

$25.00 - $239.50

This event is all ages

Bullet For My Valentine
Bullet For My Valentine
UK metal titans Bullet For My Valentine have released their long-awaited, 5th studio album, VENOM, via RCA Records.

Over the course of their career, Bullet For My Valentine has sold millions of records, amassed a worldwide army of fans, garnered hundreds of millions of video/track streams, appeared on dozens of magazine covers and received mass critical praise for their highly-influential albums. Now, the band looks to transcend genres and trends with their game-changing album, VENOM.

Produced by Carl Bown and Colin Richardson (Slipknot, Machine Head, Trivium) at Metropolis Studio in London, VENOM is an unrelenting, fierce step forward for Bullet For My Valentine. Their heaviest record to date sinks its teeth into listeners with a powerful delivery by vocalist/guitarist Matt Tuck, ferocious riffs by guitarist Michael “Padge” Paget and rapid-fire rhythm courtesy of drummer Michael “Moose” Thomas. On VENOM the trio maintains their signature balance of heavy, coupled with surging melody, and pushes themselves to the next level.

“It's pretty hard to sum up an entire record after spending so much time writing and recording it and all the blood, sweat and tears that have come with this one especially,” says frontman Matt Tuck. “It wasn't easy revisiting some very dark places to come up with lyrical content for this one, but once I knew where it was heading and I was comfortable with letting certain things out - all hell broke loose. It's easily the most aggressive record we've ever done and lyrically it will no doubt touch a nerve with a lot of people that listen to it. I cannot express enough how proud I am of it, and can't wait for everyone out there to hear it too. We've reinvented who we are and are ready to take on the world once more.”

Bullet For My Valentine’s progression of sound is evident on VENOM, presenting a harder delivery and a more complex song structure, as witnessed on the band’s crushing new track, “No Way Out.”

“To write this track I had to put myself into a very dark place, a place I hadn't been to for a while mentally because of how my life is now, compared to what it was before the band exploded,” Tuck adds. “It is one of, if not the heaviest tracks we've ever recorded musically and lyrically. I've lived with it for a while now but still every time I hear it, it gives me chills. Hold on tight it's a hell of a ride.”

In addition to the news of the upcoming record, Bullet For My Valentine has also announced they’ve recruited fellow Welsh musician Jamie Mathias to join the band as their new bass player and backup vocalist.
Trivium
Trivium
With their fifth full-length album, In Waves, Trivium make a crucial statement.

It's a statement about writing their own rules about what it means to be a contemporary metal band. It's a statement that encompasses boundary-defying music, moods, movement, and visuals. It's a statement that's emblematic of their evolution. It's a statement that's going to impact anyone open to it.

While on the road in 2009, the first rumblings of In Waves began. Trivium vocalist and guitarist Matt Heafy had already started pondering the direction the band would take for their fifth offering. So far, they'd excelled at the standard hallmarks of the genre, and he wanted to do something new.

Each one of their albums—Ascendancy (2005), The Crusade (2006), and Shogun (2008)—garnered unanimous critical and fan acclaim. Ascendancy cemented the band's place in the metal-verse, selling over half-a-million copies worldwide.

Shogun debuted at #23 on the Billboard Top 200 and in the top 100 in 18 other countries. All over the globe, they rose to the ranks of metal elite, sharing the stage with everyone from Iron Maiden and Slipknot and dominating festivals such as Download, Rock Star Energy Drink Mayhem Festival and OZZfest. They'd done everything the way that a metal band is supposed to. However, even with all of this success, Heafy and his cohorts guitarist Corey Beaulieu, bassist Paolo Gregoletto, and drummer Nick Augusto had gotten frustrated with the state of metal and yearned to break out.

"In my opinion, this album really was a response to what we've ever done as a band and everything we're seeing in contemporary music," declares Heafy. " We want to take metal a step further. We're not going to tell anyone what In Waves means. We want to put imagination and creativity back in the mind of the listener."

Trivium let the music do the talking this time around. The title track and first single hinges on a pummeling polyrhythmic guitar groove that breaks into one of the band's most infectious choruses just before a haunting guitar melody sails off into the distance. Rather than simply modifying their sound, they expanded it with elegant sonic textures and crushingly calculated chaos. The technical prowess is tempered by a melodic sensibility often unexplored by bands in this genre.

About the song, Gregoletto explains, "To me, the 'In Waves' riff is what anger and hopelessness I felt would sound like if emoted musically. It was the first riff I wrote after we got off the road for Shogun, and it's inspirationally somewhere in between the technicality of Meshuggah and the straightforward groove of Sepultura, but it channels a new intensity. After that song, we weren't afraid to push ourselves out of familiar territory anymore."

"It was the turning point for the music," Heafy reveals. "It's got the simplest chorus we've ever had, and it meant something different to each of us. There's minimalist spin."

However, that simplicity breeds complexity as each song takes on a life of its own. "Inception of the End" drops from a speedy thrash air raid into an anthemic arena-filling refrain, while vocal harmonies climb alongside schizophrenic screams on "Watch the World Burn." "Of All These Yesterdays" takes flight on a propulsive hum and an off-kilter solo. Everything culminates during "Leaving This World Behind," which pairs a classically influenced acoustic guitar with a chilling scream and an orchestral, electronic undercurrent. "Built to Fall" shatters an off-time riff with a hyper-charged hook that sees Heafy channeling a new charisma.
(continued above)

The entire album moves and shifts like one fluid entity. Heafy adds, "There was a conscious effort to tie everything together. Since we pulled back on so much of the musical complexity, it was about the song and we were able to connect on a basic level. It wasn't about trying to insert another big word in the lyrics or another solo. We weren't worried about showing how technical or brutal we could sound. It was about making something great. When I simplified the lyrics, they were able to be translated into multiple definitions, expanding the album to a multi-purposed work of art."

In order to paint this aural pastiche, the band retreated to Paint It Black Studios in Altamonte Springs, FL with production triumvirate Colin Richardson [Machine Head, Bullet for My Valentine], Martyn "Ginge" Ford and Carl Bown in early 2011. The band had already conceived the vision for the album over two years of writing and volleying visual concepts around, so recording allowed the band to continue to experiment. Surprisingly, Heafy didn't turn to his iPod for inspiration though.

"On this record, my influences weren't music," he explains. "My influences were film and directors like David Lynch, Lars Von Trier, Paul Thomas Anderson, and Christopher Nolan. It was also the idea of modern art. I used to not get modern art and museums. I went to The Louvre four years ago and it got me into classical art. Then I started getting into modern art. I like modern art because it completely disregards all of the pre-set rules. Contemporary art can be anything. There is no right or wrong. That encouraged me on In Waves. We made the music we wanted to make."

In order to keep pushing the envelope, Trivium experimented with a myriad of sounds and textures, employing everything from cardboard tubes, fire extinguishers, napkins, and out-of-tune pianos to make sounds. Working with new drummer Nick Augusto in the studio also helped facilitate the process. Beaulieu exclaims, "Nick's a fantastic drummer, and he soaked everything up really quickly. We moved at such a fast pace together and we were able to accomplish a lot more in a short amount of time. It was a very creative, fast-moving, and enjoyable experience. Having that positive environment with Nick made it a lot more fun and it made the songs better."

However, the songs will ultimately continue to get better as their vision comes into clearer focus. Heafy sums it up best. "If a CD is like the soundtrack to a movie, In Waves is the entire film. It's everything. It's the soundtrack, the visuals, and the packaging. It's a full-on visual experience rather than being the standard format. The whole purpose of art is to inspire creativity and other art. No one made the album we wanted to hear yet so we made it ourselves. It's time to take metal to another place and bring in new people."
TOOTHGRINDER
TOOTHGRINDER
Toothgrinder was created in 2010 by a group of local young kids wanting to hit the music scene with something heavier, broader and more inventive than had been previously done by each musician in the past. Toothgrinder resides in Asbury Park, NJ and has recently won Best Heavy Rock Band (2010,2011,2012) and Best Drummer (2011) by the Asbury Park Music Awards.

On July 22nd, 2011 Toothgrinder released its first official EP "Turning of the Tides", recorded at The Hang Zone, engineered and produced by Paul Ritchie, and mastered by Roger Quinn. The album is available for download on our Band Page.

On December 21st, 2012 Toothgrinder released their sophomore record titled "Vibration/Colour/Frequency". The record was mixed and recorded by The Parlor Mob's Paul Ritchie and Mastered by established DJ Roger Quinn.

Toothgrinder is ready to explode onto the stages of local venues. We are looking to play anywhere and everywhere at anytime, so please message with show opportunities.

We hope to be the unstoppable force in the music scene that everyone wants and desires from a band. With that, we have one last message for you:

LIVE TO GET RADICAL!!!

-Toothgrinder (USA)

WILLS WELLER - DRUMS
JASON GOSS - GUITAR
MATT MIELKE - GUITAR
MATT ARENSDORF - BASS/VOCALS